Let’s just forget about habitat destruction, shall we?

The idea of habitat destruction has had it’s day. I think we need to move on.

Anyone who has ever seen the ulcerated sore of an open-cast mine, or the mud-slide run-off from a deforested tropical hillside will know what habitat destruction is. But neither of these is very common in Britain. There is the occasional gravel pit or chalk quarry, but even quite large new building developments or road schemes seem relatively minor scrapes when viewed in aerial photographs, we have Google Earth to thank for this calming revelation.

And yet conservationists, especially entomologists, are always barking on about declines in biodiversity due to habitat destruction. It has become a mantra of our times. The trouble is, no-one is really listening. The reason they are not listening is because, intuitively, they don’t believe it. They look out at the world, from the car or train window, or even when they walk down a country lane, and the world out there is still obviously green and pleasant. Where is all this destruction that’s supposed to be going on?

Talk of habitat loss isn’t much better. It simply conjures up images of minor landslips in Dorset or Lincolnshire. Dramatic they may appear on the pages of the red-tops, and sad, yes, for the people whose houses are plunged into the sea; but, again, these are minor plots of land — nothing to get het up about, and no serious sway on environmental opinion.

We should stop talking about habitat destruction, it isn’t helping much.

Of course, what we can’t see, are the subtle, insidious changes that have been going on cankerously since the 1940s, with the intensive industrialization of agriculture and the demise of traditional rural husbandry.

Woods are still full of trees, and they all look very green. But close inspection shows that they are gone to pot. Coppice cycles have been abandoned and woodland management is now, very often, no management at all; the once rich, varied mosaic of copses has become crowded, overgrown and dark, and the delicate woodland flora has been replaced by dull uniformity.

Even the language of green fields is skewed by the obfuscation of farming propaganda; at best it is counter-productive, at worst it is directly misleading. Contrary to any reasonable understanding, ‘improved’ grassland actually means ruined grassland; it is only improved for agriculture. Fertilized beyond care with chemical preparations or over-manured beyond its natural capacity, the thick, lush grasses useful only to the commercial dairy farmer are increased, at the expense of a broad, mixed, flowery richness, which is everywhere diminished. The hay meadows of blessed memory and literary allusion, alive with butterflies, bees and all those other insects, are now the empty fields of factory silage — virtually green deserts. Still green to the eye, though.

Elsewhere the insipid dilution of natural wonder gives us dank secondary woodland dense with sycamore, flailed hedges thick but dull, roadsides rank with nettles, riverbanks polluted with invasive balsam and once smoothly undulating chalk grazing hills now encrusted with the erupting pustules of scrub encroachment.

It all looks green, though. Very green indeed. But it is becoming more uniform, less varied, less diverse. As hedgerows are removed piecemeal (hardly warranting the title ‘destruction’ though?) the mosaic of small diverse fields becomes a mundane prairie. The embroidered quilt, rich in a million shades of verdant emerald, pea, jade and lime, tinged with russet, gold and ochre, is becoming a bland process colour, and if the landscape designers working for agribusiness and housing developers are to be believed, I expect we could identify it as a single Pantone number.

Green blandness captured in Anville. With apologies to Dr Seuss, I've grabbed this screen image from the Universal Pictures adaptation of The Cat in the Hat.

Green blandness captured in Anville. Pantone 378-3 seems about right. With apologies to Dr Seuss, I’ve grabbed this screen image from the Universal Pictures adaptation of The Cat in the Hat.

Diversity is failing, species (plants and animals) are lost. The habitat has not been lost, or destroyed, though. Instead it has been floristically and faunistically cleansed. Talk of habitat ‘destruction’ no longer serves this danger. Instead, we have to move on — we need a new vocabulary of environmental alarm.

I offer these:

habitat corruption

habitat degradation

habitat degeneration

habitat decay

habitat debasement

habitat adulteration

habitat blight

habitat impoverishment

habitat impairment

habitat disruption

habitat desecration

habitat mutilation

habitat ruination

A most serendipitous insect

The sunny weather drew me out on Wednesday. There are a few things about — the odd bee-fly, some solitary bees, a comma and peacock butterflies. I bashed a stand of ivy covering an old tree on Honor Oak’s One Tree Hill, and out fell a couple of bethylids. I like these curious creatures. Although given honorary aculeate (ant/bee/wasp) status, they actually run around like tiny rove beetles in the net, an impression emphasized by their stout triangular or pentagonal heads.

At 4 mm, Bethylus boops is not large; dainty, more like.

At 4 mm, Bethylus boops is not large; dainty, more like.

These ones were Bethylus boops (pronounced “bo-ops”), a species dear to my heart because it was the first insect species I ever found ‘New to Britain’ — running about on my newspaper, as I sat reading in the garden in Nunhead, in 1992. I tentatively identified it as something highly unlikely, but when I sent it to the UK bethylid expert to check, he told me no, it was a new one. The hairy eyes are a dead give-away.

It turns up regularly in the London area, and I’ve found it several times. The National Biodiversity Network distribution map is patchy, to say the least.

Mostly, distribution maps show the distribution of searchers, not what is being sought.

Mostly, distribution maps show the distribution of searchers, not what is being sought.

London and Gretna(?), apparently. Not sure I believe that.

I’ve been a bit tardy on this one

How long does it take to publish a scientific article? In my case, just over 10 years. I’ve had a box full of specimens that I picked up on the beach in Normandy in 2002, but I only got around to working through them last autumn.

Picture 3

I quite like the idea of aerial plankton.

My excuse is that there is always something else that needs doing. Pathetic I know. Sorry. I’ll try and do better in future.

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And, by the way, thank you to John Badmin, editor of British Journal of Entomology and Natural History, for permission to post the PDF of this article.

Trespassers W

The Isle of Wight is an old haunt for me. For several years in the 1960s it was the summer holiday destination of choice for the Jones household. Over the many visits we trooped up and down the disused railway lines, which thanks to Dr Beeching were now converted into byways, and we rambled the hills and woods which are criss-crossed by more miles of footpath than almost anywhere else in southern England. We did a bit of sight-seeing, a minor concession of my naturalist father to his slightly reluctant children: there was the Godshill Model Village, Sandown Zoo, Bembridge Waxworks and Osborne House. Well, not the house at Osborne, just the gardens actually. And there was an ulterior motive here.

Mostly, of Osborne House, I remember, down by the royal children’s Swiss chalet-style ‘playhouse’, this gate:

Keep out.

No entry. The gate is shut. And locked. Photographed April 2012.

For it was over this that my father dragged a hesitant 10-year-old to go exploring in the woods that ran down to Spithead (incidentally one of the best-named tracts of water anywhere on the planet). Because of its royal history, there  remained at Osborne a large segment of the island that was footpath-free and very private. This did not suit my father’s inquisitive need to check out the plants and insects, so we took it upon ourselves to go trespassing.

Trespassing comes naturally to a Jones. Through all the years of traipsing across the English countryside, either with my dad, or off on my own, a “PRIVATE — KEEP OUT”  sign was of no consequence. We went where we would.

On the whole we never met anyone, or if we did a gentle polite conversation was usually enough to show that we were doing no harm. The insect nets were always good ice-breakers and obvious signs that we were either nutty or scholarly, but not dangerous. Very often the convivial conversation would turn to country matters, wildlife, nature or the obscure history of individual pollard trees. My father always wore a tie, and usually a suit. When I realized that power-dressing could have influence on the game-keepers, woodmen or occasional owner on horseback, I too kitted out in worsted or tweed, and knotted a smart tie. I sometimes still do.

I can’t really remember what we found down in the lower Osborne woods, we certainly didn’t meet a soul there; but I do have a memory of the flotsam-covered beach, and the broken concrete runway down which Victoria’s wooden cart-wheeled bathing machine was run into the sea whenever she fancied a dip.

Now it’s my turn to take family holidays on the island. We do more sightseeing than trespassing. We always head to Osborne to marvel at its kitsch bling interiors and take a wander around the beautiful sweeping grounds.

Now, however, that gate is open wide:

Come on in.

Come on in. Photographed April 2013.

The private beach is now accessible to visitors; the bathing machine runway is still there, the old queen’s ‘alcove’ (ludicrously ornate covered seat) has been renovated, the beach has been tidied up and cleared of driftwood, there’s a cafe and everything. Spithead is still a wonderful sight, filled with sails and ships.

But it’s not quite as exciting as trespassing.

House guests, house pests

I’ve just received the approved ‘blads’ for House guests, house pests. They’re based on a few pages of sample text I wrote when the publishers agreed the contract. Their main purpose is to be shown off at bookfairs, to secure foreign rights and to drum up trade interest. I’m very pleased with the look of them. [Illustrations/design by Morphart Creation, Hintau Aliakse, Yingko and Shutterstock.]

Picture 6 Picture 7
Picture 9 Picture 8
Picture 10

For the last year I’ve been trawling the latest research and the strangest anecdotes ready for an autumn writing blitz. I’ve more or less completed the Appendix/ rogues gallery/ identification section. My favourite so far is Scobicia declivis, the lead cable borer also known as the ‘short-circuit’ beetle. Primarily a wood-borer, it will also damage soft metal (lead) casings, probably because of textural confusion rather than nutritional need, hence its common name, and this  leads it to cause a unique type of damage. It has a penchant for the lead sheath of aerial telephone cables, close to where they attach to a building. The bores are made next to the cable support rings which are thought to give the beetle enough leverage to chew into the metal. In California, the damage is only revealed on the first serious rains after the adult beetle has emerged, when water entering the borehole causes short-circuits. Brilliant.

 

 

Now how did that get in there?

This, it appears, will have to count as my first hoverfly of the year. It’s a drone fly, Eristalis tenax, fished out of the salt-filled outer compartment of the built-in water softener attached to washing machine and dishwasher in our holiday house in Yarmouth, on the Isle of Wight. Now how did that get in there?

Despite the fur coat, she was having a hard time

Found this female Anthophora plumipes today, stalled on the pavement as a blistering wind whipped up the dusty remains of the frosty snow which fell on Saturday. Even with her thick hairy coat she was barely moving. Nothing is flying out there so I was a bit surprised to see her, presumably trying to forage. The thermometer has been below zero for several days now, and although the ground is no longer white, there is a pale remnant tucked down in the long grass.